Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
Tag: Erika Karata
When morning comes, I feel empty (2023) review [OAFF 2023]
A slow moving narrative that accumulates in a subtle but touching shift in the subjective position of its protagonist.
21th century girl (2018) Review
A powerful plea for more support for female directorial talent and for more Japanese narratives that explore female subjectivity, question the nature of the sexual relationship, and investigate the effects society has on women and their subjectivity.
psychocinema 