Teki Cometh (2024) review [Camera Japan Festival]

A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

The Promised Land (2019) review [Nippon Connection 2021]

A beautifully composed and highly relevant narrative about destructive kinds of social violence, a social violence against the Otherness present in the community and an ostracizing violence to turn the once-trusted other into an unwanted Otherness.

Flowers of Evil (2019) Review

“(The narrative) unearths the struggle that the blossoming of one’s polymorph perverse sexuality can have on one’s process of coming-into-being in a beautiful way.”