An incredible tour-de-force that hits home.
Tag: art
My Sunshine (2024) review
A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.
Teki Cometh (2024) review [Camera Japan Festival]
A vivid and mesmerising experience that does not only illustrates the subjective impact of increased isolation on giving meaning to one’s own life – on the stability of the frame of one’s ego.
Blank Canvas: My So-Called Artist’s Journey (2025) review [Fantasia film Festival]
Seki offers audiences a touching fictionalized account of Akiko Higashimura’s relationship with her mentor Kenzo Hidaka.
Transcending Dimensions (2025) review [Nippon Connection]
A masterpiece, a culmination of his past disillusionment with the societal Other and his interest in spiritualism and rebirth born from being mistreated by the Other of the law.
River Returns (2025) review [Nippon Connection 2025]
Masakazu Kaneko convinces the spectator to go beyond the consumptive way of interacting with the other and have more eye and ear for the subjectivity of the Other.
Hell Dogs (2022) review
For the hardened fan of the genre, Harada’s newly bottled old wine will be a frustrating experience that delivers nothing more than a sprinkle of excitement.
Twilight Cinema Blues (2023) review
While fun to watch, Hideo Jojo’s film is a trick of all trades, but a master of none.
Desert of Namibia (2024) review [Japannual 2024]
Yoko Yamanaka delivers a cinematic masterpiece of subjectivity.
psychocinema 