She Taught Me Serendipity (2024) review

Akiko Ohku steers away from delivering a clear-cut romantic fantasy to confront the spectator with the messy consequences of utilizing signifiers in the game of love in a very moving way.

Village (2023) review

An incredibly powerful drama narrative that illustrates how toxic and destructive a societal environment can be for the subject – the persecutory dimension of the Other – and how reparative ‘inter-subjective’ signifiers can be.