Uketsu, your work deserves better.
Category: thriller
Kisaragi Station Re: (2025) review
This fun horror-thriller invites the spectator to consider the dynamic between the lurking presence and the visitors it constantly eyes as staging the uncomfortable truth of our contemporary societal field.
Dollhouse (2025) review
Yaguchi’s horror will please audiences new to the J-horror genre as well as long-time fans of the genre.
Bullet Train Explosion (2025) review
A competent sequel that will please audiences and invites spectators to explore Sato’s classic.
Lumberjack the Monster (2023) review
A great example of a filmic experience that is helmed by a director that is uninvested in the material and, consequently, merely does his bare minimum
Exit 8 (2025) review
Genki Kawamura delivers an engaging and visually arresting psychological horror narrative that takes the concept of liminality to its anthropological origin.
Cloud (2024) review
Kurosawa delivers a biting critique of way capitalism and consumerism has transformed our subjectivity and the way we interact with others.
Another Abashiri Prison Story (1965)
An enjoyable thriller – a straight-forward yakuza flick with many pleasant moments, but not the sequel the first narrative deserved.
Abashiri Prison (1965) review
Teruo Ishii delivers an interesting exploration of the frailty of the social bond between criminals as well as the trauma that, in some cases, animates the criminal reflex.
A Man (2022) review
A compelling and thrilling exploration of the reality of identity fraud and the damaging effect societal discourses can have on a subject and his ego.
Short Movie Time: Neu Mirrors (2024) review
Keishi Kondo offers the spectator an unsettling illustration of the Lacanian gaze.
Six Singing Women (2023) review [Japan Cuts 2024]
A great narrative, yet one that stumbles over its own thematical fixation
House of Sayuri (2024) review [Fantasia Film Festival]
The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.
Baby Assassins: Good Days (2024) review [Fantasia Film Festival]
Yugo Sakamoto successfully mixes up the formula that structured his previous two action narratives. Highly Recommended.
Black Tight Killers (1966)
A stylish and visually dazzling romp with lots of action and sensuality