A competent sequel that will please audiences and invites spectators to explore Sato’s classic.
Category: thriller
Lumberjack the Monster (2023) review
A great example of a filmic experience that is helmed by a director that is uninvested in the material and, consequently, merely does his bare minimum
Exit 8 (2025) review
Genki Kawamura delivers an engaging and visually arresting psychological horror narrative that takes the concept of liminality to its anthropological origin.
Cloud (2024) review
Kurosawa delivers a biting critique of way capitalism and consumerism has transformed our subjectivity and the way we interact with others.
Another Abashiri Prison Story (1965)
An enjoyable thriller – a straight-forward yakuza flick with many pleasant moments, but not the sequel the first narrative deserved.
Abashiri Prison (1965) review
Teruo Ishii delivers an interesting exploration of the frailty of the social bond between criminals as well as the trauma that, in some cases, animates the criminal reflex.
A Man (2022) review
A compelling and thrilling exploration of the reality of identity fraud and the damaging effect societal discourses can have on a subject and his ego.
Short Movie Time: Neu Mirrors (2024) review
Keishi Kondo offers the spectator an unsettling illustration of the Lacanian gaze.
Six Singing Women (2023) review [Japan Cuts 2024]
A great narrative, yet one that stumbles over its own thematical fixation
House of Sayuri (2024) review [Fantasia Film Festival]
The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.
Baby Assassins: Good Days (2024) review [Fantasia Film Festival]
Yugo Sakamoto successfully mixes up the formula that structured his previous two action narratives. Highly Recommended.
Black Tight Killers (1966)
A stylish and visually dazzling romp with lots of action and sensuality
Bad Lands (2023) review
The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish
Guard from Underground (1992)
Kurosawa’s early slasher is a successful stylistic experiment that anyone who calls himself a fan of Japanese horror should see.
Character (2021) review
It might not be a film that challenges or subverts the tropes and dynamic of the mystery and thriller genre, but it sure does deliver a satisfying and thrilling ride.
psychocinema 