Funuke: Show Some Love, You Losers! (2007) review

Daihachi Yoshida delivers a darkish comical experience that quite seriously exposes the fictitious dimension of our ego – of the image we present to others.

The Blood Of Rebirth (2009) review

Toyoda transforms the folkloric tale of Oguri Hangan into a personal warning for the Other: I will not let you ‘kill’ my societal position as director.    

Party 7 (2000) review

Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.

I am Baseball (2023) review

Whether you like baseball or not, his absurd love-letter to women who love baseball will shock and charm you.

One Percenter (2023) review

Yamaguchi delivers a love-letter to down-to-earth action that proves that there is plenty of poetry to be found in the physical action-performances.

Guard from Underground (1992)

Kurosawa’s early slasher is a successful stylistic experiment that anyone who calls himself a fan of Japanese horror should see.

GO (2001) review

An exquisite structured exploration of how fictions of nationality fracture and shape they societal field as well as the subjects subject to it and the relational dynamics they establish.