Ishii elevates the staging of the truth of the phallus with many moments of refined interactional absurdity and a finale that, in an inimitable fashion, exposes lack and castration.
Category: Third Windows Films
Short Movie time: Pick it up and Throw it Away! (2019) review
Ono affirms his talent to blend absurd narrative turns together in a way that is not only consistent, but also deeply satisfying.
Short Movie Time: Cheating Office Lady: Wet Galaxy (2016) review
Ono and his cast’s enthusiastic dedication to the absurdity fills the film with a winsomeness that allows the short to surpass its limitations.
I am Baseball (2023) review
Whether you like baseball or not, his absurd love-letter to women who love baseball will shock and charm you.
One Percenter (2023) review
Yamaguchi delivers a love-letter to down-to-earth action that proves that there is plenty of poetry to be found in the physical action-performances.
Guard from Underground (1992)
Kurosawa’s early slasher is a successful stylistic experiment that anyone who calls himself a fan of Japanese horror should see.
Funky Forest: the first Contact (2005) review
“Strange, mundane, surprising, deadpan funny, funky, and ethereal all rolled into one.”
River (2023) review [Fantasia Film Fest 2023]
If you like low-key humour and some time-twisting fun, you should not miss Yamaguchi’s latest.
Shark Skin Man and Peach Hip Girl (1998) review
A blast from start to finish (…) one of the best idiosyncratic romance narratives from the late nineties.
Short movie time: Norioka Workshop (2022) review
A great short film that illustrates the necessity as well as the inherent danger of the imaginary dimension in social interactions.
GO (2001) review
An exquisite structured exploration of how fictions of nationality fracture and shape they societal field as well as the subjects subject to it and the relational dynamics they establish.
Electric Dragon 80000V (2001) review
The beauty of the monochrome visuals as well as the roughness of the musical accompaniment is enough to keep the spectator engaged from start to finish.
The Island Closest To Heaven (1984) review
“This might be the purest idol-film Obayashi made and the clearest example of how Kadokawa wanted to exploit the audio-visual medium.”
School In The Crosshairs (1981) review
A heart-warming sci-fi flick that dazzles the spectator with its expressive and colourful effects.
The Girl Who Leaped Through Time (1983) review
The film does not merely celebrate the beauty of the transiency of being-in-love, but also powerfully stages the tragedy of the missed encounter.