Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.
Category: Romance
My Sunshine (2024) review
A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.
A Bad Summer (2025) review [Japannual 2025]
Hideo Jojo offers a compelling exploration of poverty within the Japanese societal field as well as the the structural possibility of exploiting the welfare system for one’s own gain.
How Dare You? (2025) review [Camera Japan Festival]
With her narrative, Mipo O delivers one of the most convincing arguments to parents to create space for the subjectivity of their child and to take their signifiers – their pleasures, pressures, worries, fights, and frustrations – seriously.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
After The Fever (2024) review
It is an exhausting experience, yet an experience that, if one succeeds to make it to the end, convincingly shows that the idea of romantic harmony is but an unrealizable fantasy.
I Fell in Love With a Z-Grade Director in Brooklyn (2025) review [Fantasia Film Festival]
One of the most pleasant surprises of this year.
Blank Canvas: My So-Called Artist’s Journey (2025) review [Fantasia film Festival]
Seki offers audiences a touching fictionalized account of Akiko Higashimura’s relationship with her mentor Kenzo Hidaka.
Honeko Akabane’s Bodyguards (2024) review [Fantasia Film Festival]
Ishikawa delivers an engaging narrative with some satisfying twists, many funny moments, and pleasing action-sequences.
Rewrite (2025) review [Fantasia Film Festival]
Daiga Matsui’s narrative ultimately develops into something that expands beyond mere romance, a surprising and highly satisfying time-loop drama.
Cha-Cha (2025) review [Nippon Connection 2025]
Mai Sakai light-heartedly perforates the fantasy of writability of The sexual relation and cheekily confronts the spectator with the radical misrecognition that structures the field of romance.
Yoyogi Johnny (2025) review [OAFF 2025]
Kimura’s choice to give the tragical dimension of love a deadpan comical twist pays off, creating a unique narrative that will resonate with youth and those who have kept in touch with their younger self
The Taste of Tea (2004) review
Katsuhito Ishii’s offers the spectator a satisfying kaleidoscopic exploration of the emotional fabric of life and the importance of familial bonds.
A Man (2022) review
A compelling and thrilling exploration of the reality of identity fraud and the damaging effect societal discourses can have on a subject and his ego.
Desert of Namibia (2024) review [Japannual 2024]
Yoko Yamanaka delivers a cinematic masterpiece of subjectivity.