Matsumoto makes a very convincing case for the need for the societal field to become more willing to grant subjects the right to nominate themselves in accordance with their subjective position.
Category: Music
The Gesuidouz (2024) review [Japannual 2025]
While the concatenation of deadpan comical moments succeeds in charming audiences, Ugana’s narrative falls flat in the last half-hour.
Ya Boy Kongming! The movie (2025) review [Fantasia Film Festival 2025]
Shibue’s film can be enjoyed by anyone, yet only those who have watched the drama-series can fully appreciate the narrtaive’s resolution.
V. Maria (2025) review [OAFF 2025]
The neatly interwoven narrative fabric, which evokes the dimension of loss in various forms, beautifully sketches out the importance for the subject to construct a narrative to support and jump-start one’s coming-into-being.
Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
Techno Brothers (2023) review
An amazing blend of arthouse minimalism and weird deadpan comedy.
Plastic (2023) review [Japan Cuts 2023]
Miyazaki creates a moody narrative that highlights the equivocal functionality of music for the subject as well as the destructive impact of not being able to create an inter-subjective between two ego’s in love.
Offbeat Cops (2022) review
Uchida delivers what very well might be the feel-good movie of the year.
Melting Sounds (2022) review [OAFF 2022]
“Kahori Higashi’s debut is impressive.”
Tapestry (2020) review
“Yes, Zeze delivers a rather straightforward romance narrative with Tapestry, but, in contrast to many other Japanese romance films, he succeeds to genuinely move the spectator.”
Short Movie Time: Go Seppukku Yourselves (2021) review [Japan Cuts 2021]
“An enthralling audiovisual experience and a powerful critique of the Japanese political system.”
Between Us (2021) review [Camera Japan Festival]
“A great narrative that celebrates the energetic art of Japanese drumming in pleasing way.”
Dreams of Fire (2021) review [Fantasia Film festival]
“McKie’s film is not only the best dance-film of recent years but might very well be one of the best Japanese films to be released this year.”
Ito (2021) review [OAFF 2021]
“A charming exploration about the way in which the other allows a drifting subject to moor his desire and find a direction for his subjectivity within the Other.”
Our 30 Minute Sessions (2020) review
A very pleasant narrative that vividly underlines the importance of social bonds for the integration of a subject within the social field as well as the fundamental role the O/other plays in the process of becoming a desiring subject.