Shugo Fujii proves that he is the master of indie-thrillers.
“Kusano succeeds in delivering a quite atypical romance narrative.”
Matsumoto delivers an amazing narrative that allows the spectator to realize that imaginary pleasure offers little protection against the oppressing demands of the society and imaginary injuries dealt by others.
A splendid experience whose themes of loss, failed encounters, and unresolved desires do not fail to touch the spectator deeply.
“A compelling exploration of how certain subjects, psychotically structured, attempt to mend the problematic nature of the symbolic and the imaginary.”
“A great narrative that questions in a light-hearted way the relation between the male subject and his member as well as the role the real member plays within the fantasmatic world of men.”
“A political satire that will not fail to please audiences, but lacks the thematical punch to make a statement that will long linger in the spectator’s mind.”
“A great drama that sketches out the destructive effect of the gap between one’s signifiers and one’s acts on others and shows the spectator that what the marital ‘motherly’ other truly demands is not simply obedience but love.”
Yoshida’s narrative hits all the right emotional notes for the audience and that its message will long linger in the spectator’s mind.
An elegantly constructed and highly impactful exploration of the inhibiting fear of being rejected by one’s beloved.
An experience that will stir the spectator’s unconscious and affect his heart.
An exquisitely shot meditation about the impact change has on society and subjectivity.
Machiko Ono and Yuki Katayama breathe extra-ordinary life and realism into the pain, the hopes, the white lies, the tears, the smiles, and the anger of contemporary female subjects subjected to a phallically-structured societal system. Highly recommended.
This list does not only reveal the variety of unique perspectives that mark Japanese Cinema, but also echoes that what directors, from a cinematic perspective, put into question within Japanese society.
“A horror without well-developed horror and a romance story without satisfying romantic moments.”