Category: Movies

Faceless (2024) review

A great thriller that beautifully shows the destructive role the image can play within the societal field.

Lumberjack the Monster (2023) review

A great example of a filmic experience that is helmed by a director that is uninvested in the material and, consequently, merely does his bare minimum

Exit 8 (2025) review

Genki Kawamura delivers an engaging and visually arresting psychological horror narrative that takes the concept of liminality to its anthropological origin.

Golden Kamuy (2024) review

Shigeaki Kubo reaffirms that he has the skill and talent to bring action-driven narratives to life in a satisfactorily way.

Undead lovers (2024) review

Matsui delivers a heartwarming romance narrative that, due to its fresh approach to certain tropes of the genre, rises above the common derivative romance drivel Japan usually produces.

Cloud (2024) review

Kurosawa delivers a biting critique of way capitalism and consumerism has transformed our subjectivity and the way we interact with others.

Renoir (2025) review

Chie Hayakawa delivers an incredible moving experience that succeeds in exploring the difficulty for the subject to deal with death and the loss it introduces.

My Sunshine (2024) review

A bittersweet celebration of youth – seishun, celebrates the importance of the encounter and of desire, the force that pushes the subject towards inter-subjective connection.