Truth or Lies (2025) review [OAFF 2025]

An incredibly satisfying film that does not merely show that subjects need the lie but also that it is, by virtue of fiction, that our signifiers have effects on the other.

Revolution +1 (2022) Review

Masao Adachi delivers an important political statement that, by offering an evocative sketch of Tetsuya Yamagami’s tragic trajectory, invites the Japanese spectator to question his own passivity towards the political Other.

Yoyogi Johnny (2025) review [OAFF 2025]

Kimura’s choice to give the tragical dimension of love a deadpan comical twist pays off, creating a unique narrative that will resonate with youth and those who have kept in touch with their younger self

Good Luck (2025) review [OAFF 2025]

Shin Adachi utilizes the dynamic of the encounter to examine the problem of desiring within the societal field and the way desire give rise to misunderstanding between subjects.

Snowdrop (2024) review [OAFF 2024]

A complex character portrait that touchingly illustrates how easy it is to misrecognize the logic of the subject-supposed-to-be-in-need.