A pleasant comical romance narrative.
Category: JFFH
Short Movie Time: My Wings Became My Legs (2022) review [JFHH 2023]
A pleasant comical short that highlights that the idea of adulthood is a suffocating but unattainable ideal.
Short Movie Time: Necessary & unnecessary (2022) review [JFFH 2023]
A quirky little narrative that explores the necessity of forming inter-subjective social bonds.
Short Movie Time: Glitch (2022) [JFFH 2023]
A pleasant horror-action that beautifully shows that what can poison the subject is the Other he is subjected to.
Short Movie Review: Faaawww!!! (2022) [JFFH 2023]
Oniki’s twisted finale does not only visually impress but also underlines that the hunger of the Uber-Ich is never stilled.
Shaman’s Daughter (2022) review [JFFH 2022]
A genre mish-mash – a cocktail of light-hearted comedy, family drama, bloody thriller, and ghostly romance – that is not only pleasant but offers the spectator a rich emotional fabric to savour.
Eleven Greed (2022) [JFFH 2022]
Despite its obvious low-budget nature, Soejima delivers a highly entertaining and engaging action-thriller.
I’ve Died a Lot Lately (2021) review [JFFH 2022]
Kanemoto proves that he has the talent to create, with a limited budget, a narrative that is not only creative but able to give the spectator a good time.
Dark Blue Forest (2021) review [JFFH 2022]
A great experimental thriller-mystery narrative about borders and the destructive nature of prejudice.
One Day, A woman (2022) review [JFFH 2022]
“Mihiro Kaneko’s incredibly rich performance does not only engages the spectator from start to finish, but allows Yuko’s subjective turmoil, her flight from the societal Other, and her search for an Other that, by lying beyond, can offer salvation to attain its compelling genuineness.”
Short movie Time: The Stolen Ocean (2022) review [JFFH 2022]
Noaya Asanuma proves that he has a creative voice worth listening too.
Short movie time: Reason To Oblivion (2021) review [JFFH 2022]
A pleasant horror short-narrative that showcases Miyahara’s talent.
Stone Steps (2022) review [JFFH 2022]
A great indie narrative that highlights the need for the parental and the traditional Other to aid the subject to embark on the path of his own desire.
Kingdom of The Apes (2022) review [JFFH 2022]
Shugo Fujii proves that he is the master of indie-thrillers.
A Beast In Love (2020) review [JFFH 2021]
“A divisive exploration of the various sides of the crazy little thing called love decorated with a demented finale, which is as disturbingly violent as it is shockingly romantic.”
psychocinema 