Uchiyama delivers a masterpiece that does not merely grab the spectator by his throat, but confronts him with the fundamental importance of the signifier in a heartrending way.
Category: Camera Japan Festival
How Dare You? (2025) review [Camera Japan Festival]
With her narrative, Mipo O delivers one of the most convincing arguments to parents to create space for the subjectivity of their child and to take their signifiers – their pleasures, pressures, worries, fights, and frustrations – seriously.
The Man Who Failed To Die (2025) review [Camera Japan Festival]
Seiji Tanaka refuses to colour within the lines of comedy, creating an eclectic collage of different genre-elements that does not fail to satisfy the spectator.
The Killer Goldfish (2025) review [Camera Japan Festival]
An absurd brutal supernatural fantasy that has the potential to become a cult-favourite.
Let’s Go Karaoke (2024) review [Camera Japan Festival]
This is perfect film for anyone who, after a long day full of struggles, wants to sit in a comfy chair and relax.
The Box Man (2024) review [Camera Japan Festival]
An incredible satisfying cinematic experience, one that enthrals the spectator from start to finish
Afternoon Angler’s club (2023) Review [Camera Japan Festival]
Hideo Jojo’s heartwarming tale of subjective growth and salt-water fishing is a pleasant watch.
Bushido (2024) review [Camera Japan Festival]
Kazuya Shiraishi proves that the frame of the samurai and the Edo society can still be utilized to deliver refreshing narratives.
Ripples (2023) review [Camera Japan Festival]
With her quirky sense of humor, she delivers one of the most illuminating explorations of the effect the gap between the imaginary equilibrium of the ego and the hidden broiling subjective discord has on relational functioning.
Life of Mariko in Kabukicho (2023) review [Camera Japan Festival]
Katayama and Uchida does not merely offer a glance at the relational drama that hides behind the neon-lit night-life and pleasure district, but also delivers a narrative that hits all the right emotional notes.
Is This Heaven? (2023) review [Camera Japan Festival]
An experimental narrative that gives the idea of wandering spirits a fresh and whimsical spin
Ninja Vs Shark (2023) review [Camera Japan 2023]
A pleasant B-film action experience.
Love Will Tear Us Apart (2023) review [Camera Japan Festival]
A narrative that blows a refreshing wind in both the slasher and the romance genre.
Natchan’s little Secret (2023) review [Camera Japan Festival 2023]
Tanaka’s narrative succeeds in entertaining the spectator with its light-hearted framing of the tension between these subjects and the Other they are surrounded by. So be sure to give it a watch if you have the chance.
Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
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