Higashi delivers a touching exploration of love after death.
Category: Family
House of Sayuri (2024) review [Fantasia Film Festival]
The thoughtful manipulation of this atmospheric field is integral to create an effective and engaging genre-blend.
I Was Born, But … (1932) review
What allows Ozu’s exploration of parental failure to retain its power to charm and engage is the very fact that every child needs to go through such phase.
A Story Written With Water (1965) review
An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other
Yoko (2023) review
A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.
Bad Lands (2023) review
The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish
Undercurrent (2023) review
Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.
Performing Kaoru’s Funeral (2023) review [OAFF 2024]
Yuasa’s narrative shows that the unavoidable presence of death during a funeral can allow a subject to re-route his own trajectory.
Faraway Family (2023) review [OAFF 2024]
A very touching narrative that explores the frail position of the father and how his structural failure can cause subjective struggles and inhibitions.
Wash Away (2024) review [OAFF 2024]
A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.
Short Movie Time: On a Boat (2024) review [OAFF 2024]
The exploration of the frail stability of an obsessional neurotic does not miss its impact on the spectator.
Short Movie Time: Ririka of the Star (2024) review [OAFF 2024]
A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.
Memories of this Scent (2024) review [OAFF 2024]
An endearing and fragrance rich tale of subjective change.
Monster (2023) review
Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.
Do Unto Others (2023) review
While many spectators will shed tears at the emotional unfolding, our tears lament Maeda’s choice to go full melodrama.