I Was Born, But … (1932) review

What allows Ozu’s exploration of parental failure to retain its power to charm and engage is the very fact that every child needs to go through such phase.

A Story Written With Water (1965) review

An exquisitely layered psychological drama that unveils how a subject’s fixation on a phantasmatic image disrupts his ability to commit himself romantically to the female other

Yoko (2023) review

A complex full-bodied filmic wine that cannot but stir the spectator’s emotions.

Bad Lands (2023) review

The incredibly well-crafted narrative structure, fuelled by Sakura Ando’s extremely satisfying performance, ensures that the spectator remains engaged from start and finish

Undercurrent (2023) review

Imaizumi delivers an engaging but understated emotional experience that explores the deceptive nature of imaginary veil that binds two subjects together.

Wash Away (2024) review [OAFF 2024]

A pleasant narrative that offers a fresh but familiar exploration of the subject’s fundamental desire for recognition/love and the problematic yet medicative function of consumption.

Monster (2023) review

Kore-eda succeeds in delivering an utterly engaging narrative about the fundamental misunderstanding that underpins our fabrication of our truth.

Do Unto Others (2023) review

While many spectators will shed tears at the emotional unfolding, our tears lament Maeda’s choice to go full melodrama.