Red Peony Gambler: Gambler’s Obligation (1969)

What invites us to qualify Suzuki’s narrative as a classic is not simply his continuation of Yamashita’s visual adoration of Junko Fuji, but his effective transformation of the Ninkyo thread into an exploration of the transgressive nature of desire as such.

Abashiri Prison (1965) review

Teruo Ishii delivers an interesting exploration of the frailty of the social bond between criminals as well as the trauma that, in some cases, animates the criminal reflex.