While all clashing fragments of eroticism, horror, and comedy come sort of together in the twisted finale, it is not enough to wash away the sourness left by the ill-fitting theatrical performances.
Category: Erotic
Six Singing Women (2023) review [Japan Cuts 2024]
A great narrative, yet one that stumbles over its own thematical fixation
Short Movie Time: Ririka of the Star (2024) review [OAFF 2024]
A narrative that does not merely emphasize the beauty of moving female body, but reveals that such beauty can change subjects.
Shrieking In The Rain (2021) review [Camera Japan Festival]
“A narrative that does everything well, but lacks the emotional punch to make the experience unforgettable.”
Three little Geisha (1973) review
A pleasant but largely forgettable experience.
The Executioner (1974) review
A highly enjoyable narrative that delivers everything a fan of the martial arts genre desires.
Shiori’s Naughty Dreams (2019)
Amane’s narrative is not simply a great ero-horror, but an enthralling experience that confronts the spectator with the ultimately finality of his own desire: his own demise.
Love Nonetheless (2022) review
A modern classic about the beauty of being in a state of desiring and the impact a phallic injury can have on the ability of a subject to fall in love.
Straying (2022) review [Camera Japan 2022]
A pleasant and charming exploration of the fact that, within the game of love and romance and beyond, subjects often rely on acting-out to reveal to the other what they cannot put into signifiers.
Dancing in Her Dreams (2019)
“A wonderful experience that does not only present a touching exploration of the pain of longing but also functions as an exquisite and elegant celebration of the art of stripping.”
A Girl On The Shore (2021) review
“Ueda’s engaging film is all about two subjects trying to escape their phantasmatic identification with the notion of trash.”
Far Away, Further Away (2022) review [OAFF 2022]
“A beautiful film that elegantly explores the role the imaginary plays in marital failure as well as in the beginning of a new romantic bond.”
Intimate Stranger (2022) review
“A splendid narrative that dares to explore how problematic mothers can be for their children.”
Terrifying Girls’ Highschool: Lynch Law Classroom (1973) review
“Suzuki’s narrative offers an excellent critique of the exploitative dimensions of the phallic patriarchal society.”
Colorless (2019) review
“An extraordinary film that offers a painful investigation of the ungraspable female element that forms a riddle for both man and woman alike.”
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