Mono no aware: An addendum to Umimachi diary in springtime

“The poetry of Yamato has one 􀂝heart􀂞 as seed and myriad words as leaves. This kokoro is the one that knows mono no aware.” (In preface of Kokinshū, see note 1). An Introduction for springtime. The Sakura trees are blossoming, the casket of nihonshu has been broken, the time to enjoy Ohanami with friends, lovers,…

Still the water and the function of speech

Introduction In this rather short article I wanted to talk about how my critique of Still the water can illustrate an important aspect of psychoanalysis. In this way I want to underline why I think Naomi Kawase’s Still the water is not (or fails to be) a cinematographically narrative concerning romance. In other words, if Naomi…