Farewell song (2019) review

A truly moving narrative that explores, in a very nuanced but detailed way, the difficulty for subjects to meet the Other, the beloved Other, as subject.

Last Letter (2020) review

A satisfying and touching drama that highlights the importance of acknowledging about one’s loss and confronts us with the fact that, for the subject, his/her loss is, first and foremost, a loss of an ideal image.

Closed Ward/Family of Strangers (2019) review

While ‘Family of Strangers’ runs the risk of corroborating prejudices, Hirayama’s narrative also has the potential to make spectators think about the socially embedded nature of mental suffering,

Akitsu Springs (1962) review

With his artful composing hand, Yoshishige Yoshida paints how a romance unable to transform into an inter-subjective relation of love can impact the subjectivity and illustrate, in a subtle but sensible way, the Freudian truth that every Eros is, in the end, a death drive.

Cruel story of Youth (1960) review

Oshima succeeds in dissecting in a very precise way how the Other, an Other marked by patriarchy and capitalism, is able to empty the youthful subject of his ideals and dreams as well as how the rebellious protest of certain youthful subjects is, in many cases, an affirmation of the very dynamic that underpins the functioning of the Other.

Mask Ward (2020) review

“Mask Ward provides the thrills and the tension and packs enough surprises to engage and, ultimately, satisfy the spectator.”

Gemini (1999) review

A fabulous and unique romance horror narrative that uncovers the often-forgotten truth that all speaking beings are driven by a desire to be loved/desire to love.