Despite the obvious romanticism, a sincere and believable account of a first love.
While IFFR, like every year, has an amazing selection of world cinema to enjoy, we want to underline the Japanese highlights of this year.
“A successful debut for Nanako Hirose”
“(The narrative) breaths much needed fresh air into the rather stale genre of Japanese romance narrative”
“This indie genre-bender is still a narrative worth checking out.”
The time for this narrative to become a cult-classic has finally arrived.