In celebration of Noise winning first place at psycho-cinematography’s top 10 Japanese movies of 2017, we also sat down with Matsumoto Yusaku (松本優作) to talk about his first full-length feature, the process of creating his debut narrative, his past and his future.
In short, Japanese cinema provided something for everyone – and through many of these cinematographical products a window on contemporary Japanese society was offered. Of course not all movies made this year are a must-see. So with our top 10, we aim to give a personal advice on which movies one should see.
“The likeability of Gou Ayano as Tatsuhiko and surprisingly dense narrative makes sure that Shinjuku Swan is better than your average manga-adaptation”